I mostly used shutter-priority with a time of 1/500s or 1/1000s. and our I then converted the resulting negatives by. To learn more, see our tips on writing great answers. The Hexar, of course, has the advantage of a built in light meter that happens to suit me very well. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. Can be pushed to 3000! Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. Got another roll of it heading into the night? The main advantage with high ISO film compared with digital sensors is that film is not sensitive to Infrared pollution as silicon based sensors. Congrats on getting back into film! Rain - ISO 800. Film Review: CineStill 50D VS. 800T . Your photos make me think this is the best of all the Portra stocks such great colours! Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. Dial in the lowest possible ISO setting that will give you a fast-enough shutter speed to avoid camera shake. I used the reference to create matching colours with adjustments via. You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. It definitely says 200 though). Thanks, Hamish, for another thoughtful column about another film type. (Where it says ISO 400 on that chart it should say ISO 800) Like. I shoota lot of couples/intimatescenes so this is one of [], [] C200, a great general purpose colour film, and the other loaded with either Kodak Ektar 100 or Kodak Portra 800, depending on what I am planning to shoot. So with most cameras there is a trade-off between noise and overexposure headroom. I love the softness I can get with Kodak Portra 800 shot indoors at low light. I'm new to 35mm photography and am very much still getting the hang of things. Human vision can recognize a sheet of paper as white regardless of the colour of light that falls on it. So adding heavy NDs will not affect the color of the images. What film should I use for black and white outdoor 'formal' shots? I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. But sometimes I run into films I like that are as high as ISO 1600 or 3200. Kodak Portra film rated at ISO 800. . So develop a relationship with and love your lab. More like well-lit to shadier areas. Of course I CAN/COULD use anything, as there's nothing keeping me from doing so. The rule states that on a sunny day, you should get correct exposure with camera settings of aperture f/16 and shutter speed as the inverse of the ISO (film speed). . As a result of this, I can be fairly confident in saying that the exposure wouldnt have been nearly as consistent as my first roll. Starting with the Midtones mode, I shifted my sliders away from Green towards Magenta, from Cyan towards Red, and from Blue towards Yellow. For daylight, you use ISO 100 or 200 film, for indoors, you generally use ISO 400 film, and so on. A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. ISO 800/30 Daylight-Balanced Film; Show More. And I could consider a filter. Not favorite ISO 800 color film, but favorite color film period. If you can get a fast-enough shutter speed at ISO 400, use that. window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; They are very nice but those night shots are amazing. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! When shot in daylight, an 85B filter is recommended and shooting the film at 500 ISO Acceptable for push processing up to 3200 ISO Recommended to process C-41 or you can process in ECN-2 chemistry . It sounds like I need to keep one handy for exactly this kind of situation. My remark of "there's nothing from keeping me" is to deter answers like "There's no wrong answer, get creative. As such, I then decided to shoot a roll with a very modern, high contrast, high resolution lens. Mar 21 . Ive shot a number of rolls of Portra 800, but they have all been 35mm, all processed the same way by AG Photo Lab, then scanned with my Noritsu LS1100 and post-processed in Lightroom by me, to my eye. That said, again, it's not like I intend to shoot in the blasting sun or overly bright spots. There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. CineStill 800T shot on Vitessa A. Or for when subject is moving at speed (will cut down on blur). When the ISO setting is low, the sensor is less responsive to light, so, therefore, it requires more light to create a well-exposed photograph. Typically, CineStill 800T shot in daylight without a filter would scan and print with its colours shifted towards light blue or teal. Or maybe it just has aggressive highlights or some such side-effects? Another is to shoot the film at 400-500 ISO. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. When shooting, you'll need a camera that will allow you to change your ISO manually. Another is to shoot the film at 400-500 ISO. It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. Centering layers in OpenLayers v4 after layer loading. But remember, CineStill 800T is designed for C-41 processing, which causes a slight push in development and results in a denser negative. Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. . Ive also over and underexposed it a little bit, just to see how well it would respond. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. Kodak Portra 800 is quite possibly my favourite colour negative film. Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . The number of distinct words in a sentence. Yes, you can use ISO 1600 in bright sunlight. Medium speed film should generally not be used with fast motion photography such as sporting events, indoors without much lighting, or in extremely bright lighting. Rated ISO 200-2000! That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. Both "bright indoors" and "general outdoors". Try rating around ISO 200 for beautiful colors and skin tones. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. But the intent of this camera/film would be mixed scenes. However, I still prefer the precise, granular control and the interface of the Color Balance tool. So if you have an ISO of 100, then the shutter speed should be 1/100 (or its closest conservative setting of 1/125s). Another big pro of the Canon 5D Mark IV is the ISO range. Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. Finally, you can find a load of my photos taken with this film hereif(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-narrow-sky-1','ezslot_25',194,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-narrow-sky-1-0'); For more articles on 35mmc about the subject matter discussed here, please click one of the following tag links: Contribute to 35mmc for an Ad-Free Experience. This created predictable consistency in the scans. For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). I bet youve had some cracking results! Pushing film needn't result in blocked out shadows and super high contrast. On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. the image data. However, sticking with a 1600 ISO film might turn out to be rather limiting on a sunny day. Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. 400-speed films also have the highest dynamic range and tonality on the market because they use a mix of large and small grains that make them much more versatile. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. Landscape photography, for example, is very well-suited to low . I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. I think I probably expected it to have a much coarser more visible grain structure, and that Id find myself in situations where Id regretted not using a slower film for the sake of less visible grain. I have found zero advantage overexposing this film, in fact its just given me work work. So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. I do have an exposure-adjustment on the particular camera I want to use for it, which I'd already be turning down by one step when I'd be using 3200 at the camera's maximum setting of 1600. Share. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Thanks Aukje! Get your work featured on this website, our mailing list, and social media. The tungsten-balanced colors paired with its famous halation makes for an incredibly unique look to night photos but have you ever considering shooting 800T in the daytime? is used to define and measure various light sources colours on the spectrum from red to blue. And again, I suppose I could (guess and) adapt using the exposure-adjustment as conditions change, much like I did on digital cameras. Clearly this story is heading in a very specific direction - I . What happened to Aham and its derivatives in Marathi? So what *is* the Latin word for chocolate? Depends on the application. If you want the other benefits of 800T without losing warm, golden tones you find in daylight, try one of these filters out! You mention less brilliant colors. Kodak TRI-X 400 - shot at EI 3200. If you are taking photos in daylight, then ISO 800 is too high, as it will introduce more noise and over-exposed images than a lower ISO. And because Im not a massive bokeh-fiend, and dont find myself with a desire to shoot much in the way of shallow depth of field photos in daylight, but do enjoy the versatility of being able to shoot colour film in low light, this pretty much makes it the ideal choice for me. As a rule, I find that prefer the colours out of consumer films such as Ultramax 400, but I dont really get on with the higher grain and reduced sense of sharpness Ive had out of those sorts of films when Ive shot them in the past. ISO for daylight. Learn more about this blog and find ways to contact the person who runs it Dmitri. Shooting with a lens at 16, or 22 is not ideal. Film Type: Kodak Tri-X 400 Black & White. This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Unfortunately, there arent many high-speed colour films left in production. Right: colour-corrected. An artificial light scene, taken on daylight-balanced Lomochrome Metropolis film. What happens when CineStill 800T is shot outdoors in daylight? Support this blog: this project takes thousands of hours and dollars to maintain. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. And the Tri-X 400 single-use camera is one of the best you can buy. (You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) Number of Exposures: 27. ", because that's too arbitrary. You now know how to best handle daylight photos with your roll of Cinestill 800T film so check out these 800T in daylight sample photos below, and use the tips above to go and create your own! In this video, I test Cinestill 800T for the first time in three different enviroments. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! Colour saturation was spot on, minimal grain, stacks of sharpness. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. For more information, please see our ISO is your camera's sensitivity to light as it pertains to either film or a digital sensor. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. //
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