I love the characteristics of each of these lenses and they all have a place in my camera bag for different reasons. But if you are unlucky enough to end up with a dud (in practice that means decentering issues) be sure to send it back for a fully-functioning replacement. Others produce a blur-effect that is much busier, resulting in backgrounds that distract from the subject. If you’re on a tighter budget, there’s an f/4 version of this focal length from Sony (see my review of the Sony 24-70mm f/4), which offers great sharpness and decent overall performance in a lighter package, but there’s simply no denying it – the f/2.8 is better in every way. I think the most important things to consider are: what do you shoot? But if you detect the slight hint of reservation in this opening paragraph, it’s simply because this unarguably fine piece of glass comes as quite a hefty investment. The Sony 35mm f/1.8 is flexible enough to get a nice portrait without too much distortion and a wide scene setting shot if you step back from your subject. Despite the wide angle of view, nice enough bokeh can be achieved when shooting up close; even if this tends to be a little on the busy side. What’s more, the Tamron is sturdily built and fully weather sealed (although precisely how it measures up to the GM on this front is not something we can realistically afford to test). If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. Top 7 Best Portrait Lenses for Sony a7III. You can usually pick two out of those three traits. The thing I love most about the Sony 55mm f/1.8 lens is the mid-range focal length. This is to be expected. Clearly then, if you intend to shoot almost exclusively at f-stops of f/11 or slower, spending extra money on a lens that goes to f/1.4 would make no sense at all. Of course, with its wide angle of view and impressive optics, the 24mm GM will also appeal to those who shoot landscapes, interiors, action sports, and street photography. Chromatic aberration and distortion are very well controlled. Meanwhile autofocus is so beautifully fast and accurate that few people will be tempted to reach for manual control anyway. When it comes to sharpness, this lens is excellent! Just because this is a guide to wide angle lenses doesn’t mean that the matter of focal length can just be taken for granted. They also offer the best bang for the buck, aside from the two pro zooms mentioned at the end, which are more for professionals/those with larger budgets. Sony SEL50F14Z Planar T* FE 50mm F/1.4 ZA Lens: Best Overall Lens for Sony a7iii. Stabilized: No Weight: 200 g (7 oz) Size (Diameter x Length): 2.5 x 2.4″ / 64 x 60 mm Filter Diameter: 49mm Minimum Focus Distance: 0.29m (11.4 in). Indeed, the umbrella term “wide angle” actually covers rather a broad range of focal lengths; from the decidedly reserved 35mm lens through to a full-on fish-eye that will make anything it’s pointed at look like a poster for a Fillmore “love-in” circa 1967. Best Lens For Sony a7iii: Final Thoughts. You can read more about it in my Sony 35mm f/1.8 review. For some photographers, this extra investment will be money well-spent. Stabilized: No Weight: 281 g (9.9 oz) Size (Diameter x Length): 2.5 x 2.8″ / 65 x 71 mm Filter Diameter: 49mm Minimum Focus Distance: 0.5m (1.64 ft). It offers all the top performance characteristics of a G-Master lens and produces spectacular images. And while the 12-24mm follows the bulk of Sony’s lenses in being of the “focus-by-wire” variety, manual focus action is nonetheless satisfying and precise. Bokeh, too, is far superior here; owing to a full 11 aperture blades. This incredible performance does come at the sacrifice of size and weight but when you consider the wide range of focal lengths this lens offers, the weight seems more manageable. The zoom/focus rings feel smooth but stable. Indeed, with an ultra-wide-angle, even just getting the background out of focus at all will be challenge enough. When I switched to the Sony Mirrorless system I knew I would need a lens in this focal range. Often shoot fast-moving subjects and don’t want to see any motion-blur in your images? In short, in order to understand whether a particular lens is optically sound or not, it’s not enough merely to look at a few images that were produced with it, checking for sharpness. Aside from the lens flare, the Sony 16-35mm f/2.8 is my current favorite lens for the Sony a7III. We’ve narrowed the choices down to the native Sony FE lenses that offer the best bang for the buck. Sony FE 85mm f/1.8 (Amazon, B&H) And if you want a wide angle, the best option right now is the Zeiss Batis 18mm f/2.8 (Amazon, B&H) The best prime lenses for the Sony, period. Especially the modern fast ultra wide angle lenses (Sigma 1.8/14, Laowa 2/15, Samyang 2.4/14 XP) and also some of the modern zoom lenses (Sony 12-24mm 2.8, Sigma 14-24mm 2.8, Tamron 7-28mm 2.8) are making it easy – even for beginners – to take such shots. I have dropped it on two occasions and it has held up to the abuse very well. Indeed it’s a truly great lens on every front. And, as with any other kind of tool, each focal length is much better suited to certain tasks than it is to others. Save my name, email, and website in this browser for the next time I comment. At one point I thought I had lost this lens because I picked up my satchel and thought it wasn’t in there because it was so lightweight I thought it must have fallen out! Indeed, while the 24mm GM doesn’t boast the extreme angle of view of, say, the Batis 18mm (below), what you gain instead is an extra stop of light-gathering abilities; highly appealing for both night-sky shooters and reportage photographers alike. I think this lens is the perfect combination of performance and size. What’s more, there’s very little in the way of comatic aberration, so when combined with it’s very fast maximum aperture, it’s obvious that this is one of the best lenses currently available for astrophotography. The contrast and sharpness of this lens are spectacular – see more in Chad Winstead’s Sony 70-200mm f/2.8 review (the image above was taken by him). These are my only complaints about the Sony 70-200mm f/2.8, and in my mind and so many other photographers’, the price difference is completely justifiable – it’s simply a better lens than the f/4 version in every way. Of course, 12-24mm is a pretty extreme range, and will be of only limited use to most photographers. It’s the best of the best in this focal range, and arguably even better than anything Canon or Nikon have come up with. It is inexpensive, fast (max aperture f/2), and offers great performance. Instead, if you are to make a serious evaluation of a lens’s optical performance, you will need to see examples shot at a variety of different aperture settings, and to check for fall-off in resolution towards the edges of the frame – particularly at faster apertures. The widest lens currently available for the Sony a7III, the 12-24mm is very sharp across the frame from f/5.6 onward. At one point or another, almost everyone wants a mid-range zoom lens. In terms of build quality, this lens is solid. And in this guide I will walk you through each of the main points to consider. It offers prime-level quality in a very versatile zoom range! All in all, this is a fantastic wide angle lens that offers stunning resolution and image quality, lovely bokeh, and performs beautifully in low light. As the range of wide angle lenses available for Sony’s fantastic Alpha 7III Mirrorless cameras rapidly expands, the task of narrowing these down to a definitive first choice becomes ever more difficult. I’m a travel photographer from Paris, France. But it must be said that the Tamron doesn’t trail far behind. A change of focal length will affect photographic outcomes in a number of ways beyond merely showing more or less of the scene; for a start, it will alter both perspective and depth of field. Required fields are marked *. Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits and travel where … So a diaphragm setting that might blow the background out to a pleasing blur on a 50mm standard lens could leave much of the background relatively sharp and recognizable when used on, say, a 20mm lens. If you want a very versatile wide angle lens, this is an excellent choice! to get the same exposure as 1/60 sec at f/1.8 you would use a shutter speed of 1/95 or 1/100 sec at f/1.4. Either that or the native Sony 24-105. Best Wide-angle Zoom Lenses for Sony a7 III Sony FE 16-35mm f/2.8 GM ($2,198): Amazing fast and flexible wide-angle zoom lens! Manual focusing is smooth and well-dampened. But as this is a lens that will largely appeal to landscape photographers – and landscape photography rarely calls for a fast maximum aperture – this is unlikely to be of real concern to the majority of potential users. One of the best is the classic 85mm f/1.4, which costs a third of that of the Sony G Master. This is by far my number one lens for the Sony a7III. With a consistent f/2.8 aperture, it performs well in low light and offers excellent focus speed. And precisely which focal length and features you should go for will depend in large part on your specific photographic needs. At 28mm it offers an excellent everyday focal length (not too wide or too telephoto) and it is very compact. In this summary we also included some adapted lenses we think are worth mentioning. I love the versatility that the Sony 16-35mm f/2.8 offers. This is a guide to the best lenses for the Sony a7III full frame mirrorless camera in 2021. It also happens to be very small and lightweight compared to most other lenses of this focal length. Best of the Best, but Expensive: Sony 16-35mm F2.8 GM Best Do-It-All Lens: Sony 24-105mm F4 G OSS Awesome Cheaper Alternative to the #1 Pick: Sony Zeiss Vario-Tessar T 16-35mm F4 OSS Best Lightweight Prime Travel Lens: Sony Zeiss 35mm Sonnar T F2.8 Best Ultra Wide Angle Lens: Sony 12-24mm F4 G Super Cheap & Effective Bonus Pick: Sony 50mm F1.8 If you’re looking for a budget wide-angle lens for your Sony A7iii, the Samyang SY14M-E is a great option. Consequently, few people will find it too much of a chore to have this thing hanging around their neck all day long. The price for this lens is about 1,900 euros, so it’s not exactly a bargain. It offers just enough field of view to capture a scene but it has the ability to bring the viewer into the frame with a hint of compression. However, some degree of separation is achievable here when shooting up close and wide open. With that said, though, the Batis’s bokeh really isn’t anything to get too excited about anyway. It will encourage you to zoom with your feet and has a slightly wider field of view than the 35mm f/1.8 lens listed below. Best Wide-angle Lenses for Sony a7III & a7RIII. So precisely which lens you should go for will in large part depend on your own particular technical needs and shooting style. The Batis 18mm’s primary appeal simply lies in the incredible image quality and detail it is capable of producing. And the fact is that high quality wide angles are never the cheapest subcategory of any lens range. Arguably 28mm is a much more convenient focal length for daily use than more extreme wide angles. I rarely miss focus, even with moving subjects. An excellent 10x all-in-one zoom lens. And that’s if a comparable option is available at all. Here are the detailed reviews of top lenses for the Sony a7III: Stabilized: No Weight: 680 g (24 oz.) Stabilized: No Weight: 371 g (13.1 oz) Size (Diameter x Length): 3.1 x 3.2″ / 78 x 82 mm Filter Diameter: 67mm Minimum Focus Distance: 0.8m (2.62 ft). But if you do manage to achieve some separation between foreground and background, rest assured that out of focus rendering will be perfectly attractive. Or rather, images that are nicely sharp in the center of the frame. While an extra stop or two of aperture opening will go a long way towards compensating for this effect, be aware that even the fastest wide angle lens is never going to be able match the extremely shallow depth-of-field typically produced by a telephoto lens at even a relatively slow aperture setting. It will appeal to everyone from landscape and interiors photographers to those shooting action sports and adventure photography. However, many who earn their living from photography – and indeed many who do not – look upon such lenses as somewhat gimmicky. For a long time there were hardly any alternatives for full-format cameras with an E-Mount in the field of wide-angle lenses, but now Sony has finally added one to its range. At 35mm, this lens is my favorite focal length. The 14-24mm f/2.8 DG DN Art is built to last and has no trouble keeping up with the a7III’s sensor. An ideal setup (for me) is wide angle or ultra wide angle zoom plus for the mid range a few bright primes, then for tele a zoom again (100-400 is on my wish list). Perhaps even a necessity. It’s a useful focal length, offers spectacular sharpness, great contrast, and produces smooth bokeh when shot wide open. Not only does this mean that zooms are invariably bigger than primes, but that shortcuts will often need to be made in terms of construction; frequently resulting in compromised image quality. (Check out the Sony 24-70mm f/2.8 review for some more shots taken with this lens paired with a Sony a7III.). This lens is amazing on nearly every point. At the very least, anyone considering the GM should think twice before putting down their money. Although – as is customary with Sony’s lenses – it uses the focus-by-wire system. Sony a7III + Sony 85mm f/1.8 | 1/500 f/1.8 ISO 200. I only tried it after owning several other prime lenses in similar focal lengths but was immediately surprised by what great value it was! For those seeking an ultra-wide angle lens for the a7III, the 12-24mm offers both a wider and cheaper option than the pricey 16-35mm GM. Its diminutive size and weight also pair wonderfully with the Sony a7III, and will mean you take your camera out with your every day to shoot with. Wide-Angle Lenses (12mm – 35mm) A wide-angle lens generally refers to a lens that has 35mm focal length and wider on a full frame camera like the Sony a7III, with 24mm and wider lenses often being referred to as ultra-wide-angle lens. As here some background blur will likely be achievable; particularly when photographing a subject up close. Objectively the G-Master might be the better lens, but certainly not over two-times better! OK, the above advice is meant somewhat tongue-in-cheek. Sony Alpha A7 III Lenses List – Wide Angle Beauties. Sony a7III + Sony 28mm f/2 | 1/1600 f/2 ISO 1000. However, it’s actually a lot more competitively priced than you might expect of a lens this good. Some of my favorite images have been taken with this lens because of its ability to make the background appear right behind a subject instead of way off in the distance. and what is your style? In any case, stabilization isn’t really necessary on such a short focal length. Tamron’s 17-28mm f/2.8 wide-angle zoom offers great functionality and beautiful optical performance at a highly competitive price. With that said, while we might imagine that quality control would be very stringently enforced, this lens is known to vary somewhat in performance between samples. If you’re coming from an inexpensive zoom lens, this lens will feel like a substantial upgrade in sharpness. Overall, this is truly a lovely lens. There’s really not a lot about the Sony 16-35mm f/2.8 GM that is deserving of negative criticism. It was a very sharp and well-performing lens except in low light. By answering these questions, you’ll be able to evaluate the above lenses to see what is right for you! While the lens lacks built-in image stabilization, your Alpha 7III does not. And here the task is made more difficult still by the fairly slow maximum aperture of f/4. Just expect to pay handsomely for it. If you want the best quality in a mid-range zoom and aren’t concerned about size/weight, it is an excellent choice. When Sony released the 24-70mm f/2.8 GM lens in 2016, it was immediately apparent that quality was their number one priority with this lens! Aside from this, though, there are a number of important considerations that anyone considering purchasing a wide angle lens for the a7III would do well to take into account. This is because the wider the focal length, the more the image is likely to be in focus from foreground to background. At 35mm you can use it to shoot in a documentary style because it allows you to have a semi-wide perspective without getting too much distortion. Almost all the lenses available for the Sony a7III make great pictures but the lenses listed above give you the best picture making experience! Astrophotographers who prefer panoramic landscape Astro shots will love this wide-angle lens from renowned lens manufacturer, Zeiss. I’m sure you can find an article that describes the detailed specs of how this lens performs but photographers that make great pictures rarely worry about these details. There are over 30+ wide angle prime and zoom lenses already available for Sony a7III & a7R III mirrorless camera. I appreciated the Sony 28mm f/2’s small size and weight when I used it on a mountain biking photoshoot. Because of this perspective, I find myself gravitating towards it when shooting a variety of subjects (portraits, landscapes, products, etc). Sony Planar T* FE 50mm f/1.4 ZA The Planar T* FE 50mm f/1.4 is without a doubt the best of Sony’s range of standard lenses for the a7III. I highly recommend it to anyone looking for a less expensive prime lens in the 24-35mm focal range. Size (Diameter x Length): 3.5 x 4.8″ / 89 x 122 mm Filter Diameter: 82mm Minimum Focus Distance: 0.28m (11 in). The ultimate in convenience.. References: (1) https://digital-photography-school.com/brand-name-versus-third-party-photography-gear-which-is-better/ (2) https://www.sony.com/electronics/lenses. If you’re in the market for an excellent portrait lens that won’t break the bank, this should definitely be on your list! Custom designed for the Sony E-Mount, the Sigma 14-24mm f/2.8 DG DN Art lens is simply excellent. Something I have come to love about the Sony mirrorless cameras is how fast the autofocus system works. The Sony 24-240mm f/3.5-6.3 does cover a healthy range of focal lengths from wide angle to telephoto—it’s the only lens on this list that does so. Be warned, though, that there is one detail that might dissuade a few landscape photographers; the 12-24mm’s (unremovable) lens hood makes it impossible to use the lens with filters of any description. For wide angle prime lenses, if you are looking for a budget lens, the Sony FE 28mm f/2 (Amazon/B&H/Adorama), FE 35mm f/2.8 and A 50mm prime lens is a staple in almost every professional photographer’s bag for many reasons. As it is though, few lenses for the Sony a7III offer image stabilization anyway though – as it is available in-camera – so it’s not really an issue that readers need to concern themselves with. Samyang SY14M-E 14mm F2.8 Ultra Wide Lens for Sony E-Mount. Image stabilization is almost essential in telephoto and macro lenses if the user is to avoid camera-shake. In the focal range of 70-90mm, the Sony 70-200mm f/2.8 shoots spectacular portraits. Overall, this is my most used lens in my bag and the lens I know I can count on to perform in almost any situation. With that said, though, there are wide angle lenses, and then there are wide angle lenses. In fact the 24mm GM produces stunningly sharp photos that maintain optical standards right across the frame and throughout the aperture range. For some photographers that will be the deal breaker. But armed with the information provided in this guide, you should have no problem choosing the best wide angle lens for use with your a7III, Your email address will not be published. Aside from the lens flare, the Sony 16-35mm f/2.8 is my current favorite lens for the Sony a7III. This lens offers a focus hold button as well as a handy zoom lock switch that keeps the lens from unintentionally extending to 70mm. It’s also reasonably priced: for around $950, you can replace an entire camera bag. Need to shoot handheld in low-lighting conditions? The Sony 28mm f/2 is a favorite lens that has been used on the a7 series of cameras for almost 5 years. While bokeh isn’t the most important of considerations on a wide angle lens, in this case the faster maximum aperture means that a degree of background blur is certainly achievable. I’ve always heard that other 35mm offerings had some sharpness issues but the Sony 35mm f/1.8 offers tack sharp images throughout the focal range. 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