[1] She was also a nominee for four further productions and for a 2007 Tony Award on Broadway.In 2011 she won the Tony Award for Best Lighting Design of a play for War Horse. My initial reasons for doing this weren’t artistically motivated – if we used the theatre at school it meant we could sneak out for a smoke!”. At the time, she was a follow spotter at Hackney Empire where she was working on Black Heroes in The Hall of Fame. Stevie worked closely with DV8 and was renowned for working in experimental theatre. She comments: “My dad was a hunter pilot in the military. It never seemed a big deal to me. See more ideas about national theatre, theatre, scenic design. Photograph: Tristram Kenton/The Guardian Paule continued to work for Midnight Design on a range of rock ‘n’ roll concerts alongside her studies. Until the last minute, lighting designs exist “in your head,” she says; “99% of what we do happens in the theatre itself,” during the final fortnight of rehearsals. When we came home in the holidays, we immediately formed a tight community”. There was a real sense of community where people genuinely knew one another, which is sadly no longer there”. Share Paule Constable on Twitter; Lighting Designer. “Think about a light through a window” she continues. Feb 22, 2015 - This Pin was discovered by Ryan Lawrence. “I noticed a rather wonderful shift towards colour,” he says of their last collaboration, specifically his hippyish Midsummer Night’s Dream in the West End. It was her flatmate’s persuing of romance that would lead to Paule’s first experience of working in theatre. The Astoria Theatre where Paule met Dave Byrant. Constable “walked through the front door and it just felt amazing: so far away from my school and everything else. The original Angels in America at the National Theatre (which Paule is currently lighting at the National). Change style powered by CSL. She’s been a National Theatre associate artist for years, lights almost everything that Michael Grandage, Marianne Elliot and Rufus Norris direct, and has collaborated long-term with Katie Mitchell, Matthew Bourne and Simon McBurney. “She was a quaker lighting designer,” Grandage goes on. Paule is an associate of the National Theatre and Matthew Bourne’s New Adventures. “I clung onto designers I met who were my age, because they had a voice and I was trying to find one.” Smith introduced her to Complicite, initially as a production manager, but when the company did Street of Crocodiles at the National, she begged to light it and, aged 25, received her first Olivier nomination as a result. She’s “a manic runner,” apparently; thinking through and imagining her designs on the move. Either consciously or unconsciously, she’s really like a painter.” And yet, by lighting from within a scene – avoiding blasting the stage from the front – she creates a real sense of depth and reality. “Being female actually got you noticed in that sort of world, where it wouldn’t have done elsewhere.”, The gender imbalance is still pronounced. Constable thinks back to lighting Ivanov for Mitchell at the NT. How, I wonder, does she cope without such specificity, in showier shows like War Horse or Curious Incident, set in imaginary spaces? Paule Constable is a British lighting designer. When Paule began her education, she attended boarding school, where a lot of other children were also part of RAF families. “It’s a great conversation stopper,” Constable says with a smile. He had a really interesting way of working and he managed to create some stunning looks on stage”. She’s likens the rhythm to an airport holding pattern: a lot of circling, then swooping in quickly to get the job done. PAULE CONSTABLE LIGHTING DESIGN LIMITED - Free company information from Companies House including registered office address, filing history, accounts, annual … Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. “The thing that’s difficult is trying to find a community,” Constable explains. She states: “I was a bit of a tomboy. By Design: Paule Constable Lights Angels In America. During her university years, Paule saw lots at the ENO, productions by Cheek by Jowl and even the original Angels in America. So much so that only four women have ever been nominated for the field’s Olivier award. The award-winning lighting designer Paule Constable talks to Mansel Stimpson about her work in the context of the new Covent Garden production of Carmen… When I asked to interview Paule Constable it was in part in order to make good my own ignorance as to how a lighting designer functions. At this point though, theatre was yet to make a big impact on Paule’s life. Not only is Paule one of the most successful lighting designers this country has ever produced but is also a pioneer for female artists in the industry. So the arts didn’t really strike Paule as a career choice at that point. HireWL. Paule Constable: lt;p|>|Paule Constable| is a British |lighting designer| who won the 2005, 2006, 2009, and 2013 |... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. “I spend a lot of time collecting images. Paule Constable is known for her work on Carmen in 3D (2011), National Theatre Live: The Threepenny Opera (2016) and … Paule is an Associate Director of the National Theatre, an Associate of the Lyric Hammersmith and for Matthew Bourne’s New Adventures. We’ve been meaning to meet for a while yet her extremely busy schedule has meant that this hasn’t come into fruition. Goldsmiths University Students Protesting in 1986. Paule is someone I want to grow old with. “You don’t just settle for one light. There’s nothing like interviewing a lighting designer to sharpen your awareness of light. Paule Constable Last updated May 01, 2019. However, it wasn’t as disastrous as it could have been. It felt like London. “You’re the engine room, aren’t you?”, To illustrate the point, she talks me through another thought process. In 2011 she won the Tony Award for Best Lighting Design of a … She also knows how to talk about lighting design. Black Heroes in The Hall of Fame was Paule’s first professional lighting job. I remember going down to Wapping and standing on the picket lines. “Suddenly, people start taking you seriously.”, Her time with Complicite still defines her practice. Thankfully, the other followspotter, Fiona Simpson, was extremely approachable and talked me through the various steps”. • The lighting designer, Paule Constable, commented, “War Horse has a clear lighting language”. “You’re not the only one anymore,” says Constable,” but it’s not changed radically.” Why so, I ask? Lighting designer Paule Constable is on a roll. Chekhov’s good for lighting designers: Uncle Vanya, she says, is “a descent into darkness, ending with Sonya lighting candles as Vanya tips into despair; his scenes often take place at dawn or at dusk, “particularly charged times of day” when time becomes tangible as the light shifts. Where others wait to see what needs lighting, before working out how to do so, Constable tends to design in tandem, often writing long-hand descriptions about the effects she might want to achieve. “What’s important to me is storytelling,” she breezes on. Listen: Paule Constable On The Role Of A Lighting Designer — News — Royal Opera House . It was Stevie who made Paule really think about her career and the direction she wanted to take. Paule recalls: “Stevie was this larger than life figure who was just so passionate about theatre. She comments: “My flatmate was a stage manager and would work on a range of shows. Some of these include, Les Misérables, Warhorse and The Curious Incident of the Dog in the Nighttime. by Ellen Lampert-Greaux | Jun 7, 2018 6:00am. “With those shows,” she explains, “we gave ourselves clear rules for what light was doing within that space.” Once the rules are set, and light makes sense, “it’s no different to a window in a room – it’s just that the possibilities are endless.”, Grandage thinks that seam of work has changed Constable’s approach in recent years, opened her up to a fresh registers. Doing so requires absolute precision: another skill that sets Constable apart. PAULE CONSTABLE LIGHTING DESIGN LIMITED - Free Company Check: financial information, company documents, company directors and board members, contact details, registered office, contacts, map, nature of business, cash at bank, fixed assets, current assets, current liabilities, debtors, due diligence, street view. With her change of course and the fact that she was seeing more plays than ever before, it seemed that Paule had finally discovered the direction she was lacking; albeit by accident. Posted on Dec 4, 2014 in Featured, Profiles & Features | 0 comments, “Nobody knows how to talk about lighting design.” Paule Constable sure knows how to put a tech-illiterate critic at ease. As such, she was sent to “a very snooty English public school,” Stamford in Cambridgeshire. I remember turning up and not knowing what I was doing. When Paule attended Goldsmiths University, this was run by Peter Hoggett and it was a very left-wing, radical institution. Despite academic aptitude, she grew bored there, and her attention turned (as teenage attentions tend to turn) to “boys and drugs.”, “I completely fell off the rails, but if I hadn’t, I wouldn’t be doing this. Whereas Paule shared her father’s passion for all things outdoors, he made sure that this was the only thing they shared: “Dad was very clear – he told me specifically that I could be anything I wanted but he didn’t want me to be a fighter pilot. She also began to work for established lighting designers, which not only saw her gain valuable experience but offered her first-hand insight into their methods. Paule Constable Associate Artist, Lighting Designer. We worked on everything from Acid House clubs to live gigs. All that’s about telling a story.”. July 10th, 2019 - 15:02. She states: “There wasn’t a particular moment where I thought I am now going to be a lighting designer. Paule Constable on Teaching Lighting design from an interview by Richard Howell JUNE 20TH 2006 On teaching LD: You need to have a much wider training whether it be in stage management or set building or reading a text – you need to have as much to bring with you as possible to work in this area. Not only is Paule one of the most successful lighting designers this country has ever produced but is also a pioneer for female artists in the industry. I think they were surprised at how eager I was to do this – a part of my inner tree- climbing child must have reemerged!”. A window to her left adds texture to her facial features. Jumpers (Apr 25, 2004 - Jul 11, 2004) Lighting Design by Paule Constable; PlayFarceRevival. In-text: (Listen: Paule Constable on the role of a Lighting Designer — News — Royal Opera House, 2017) Your Bibliography: Roh.org.uk. Filling that space successfully in order to tell a story is “It’s not until the last minute that you actually get to look at anything. I was never afraid to get stuck in and when I worked on a production I always made sure I helped out as much as I could”. It would be a move that would influence the rest of her career and personal life. It was also very exciting for me personally as I had received a very traditional upbringing in a very enclosed world. Paule Constable is a British lighting designer.She won the 2005, 2006, 2009, 2013, 2020 Laurence Olivier Award for Best Lighting Design. Paule Constable, Camera Department: Carmen in 3D. For Paule, this is North Devon; although the West Country was only a temporary abode. “It’s so funny. Tag Archive: Paule Constable. Paule Constable Lighting Designer. It’s essentially Brechtian, in the sense that it’s very exposed and within quite a restricted palette that emphasizes greys and blues. “When I look at her lighting design, I immediately think of artists like Caravaggio or Vermeer. Paule continued to relight a lot of other shows, including those of Stevie Whitson; a lighting designer from New York. She’s slender and, you sense, out-doorsy. Paule also worked on the Festival of Circus on the Southbank and continued to work alongside Midnight Design. That meant “as much as possible, taking an image back to the actual thing. She states: “I remember carrying Ben Ormerod’s bags while I was lighting his shows! Lighting’s role is rhythmic and atmospheric, she explains. (She also did Grandage’s West End production with Kenneth Branagh.) Paule Constable created the lighting for the RSC’s Wolf Hall, with Ben Miles as Thomas Cromwell and Lydia Leonard as Anne Boleyn. Then one day she fell in love and moved to Spain (as you do!). If the light’s from a window, just start with that.”, The aim, then, is to heighten that effect, to intensify a given tone. Leading Light with…Paule Constable. I could be anonymous.” She recently attended a Goldsmiths open day with her daughter, who was put off by the same hectic eclecticism she’d found so attractive. I lived in Germany, Belgium and even the Middle East. Both designers, Rae Smith and Constable, felt for this “language” to be successfully communicated they had to collaborate closely. Rather, she was more interested in climbing trees and the great outdoors. Is it a long, slow moment or are you chopping from one thing to another, throwing the audience’s attention across the stage? It was during this time that she met Dave Bryant, who was resident Lighting Designer at the London Astoria Theatre (which has since been demolished). Research is key. “You grow old together and your tastes change together, sometimes in different ways. Paule Constable Lighting Designer. View Paule Constable's profile on Operabase, the reference for opera performances around the world. This upset me as I thought I was doing a pretty decent job. Paule must have made an impact in her inaugural attempts at followspotting as she was then asked by Midnight Design to work on a rock ‘n’ roll show – something she jumped at the chance to do. Unlike most LDs, however, Constable spends a lot of time in rehearsals; three weeks for Behind the Beautiful Forevers, David Hare’s adaptation of Katherine Boo’s non-fiction novel about the slums of Mumbai, which opened at the National last month. Whilst in London, this meant that Paule got to see more theatre and soon her interest grew. Thankfully, she’s back in London working on a production of Seventeen at the Lyric Hammersmith which allows us to finally sit down and chat. So much so that she changed her course from solely English to English and Drama; a decision she made due to the fact that “you didn’t study plays with just English”. Grandage remembers her work on The Chalk Garden at the Donmar Warehouse: “One could walk into the theatre at any given moment and easily guess what time of day it was (probably the month too) by the natural palette she had created.” The same goes for her work on Behind the Beautiful Forevers: on the vast Olivier stage (“the hardest space in the world,” she says), you get a really tangible sense of the subcontinental sun – hazy, heavy and baking – or the still calm of moonlight. The National Theatre has faced widespread criticism for the lack of women writers and directors in their upcoming season. She recalls: “I was asked to work on this show and the guys there needed someone to climb up on the rig. “The level of sexism was quite overt,” and working in the music industry, where she started out, it “was so much worse than anything you ever met in theatre.” Gradually, she drifted towards the experimental end of theatre, working with companies like the People Show, Lumiere and Son, and 7:84 in Scotland. your own Pins on Pinterest For me, it was just the place to be.”, Intrigued by the idea of directing, probably for television, Constable “sort of discovered lighting by accident.” She was sharing a flat with a stage manager, who, one summer, took off to Spain with her boyfriend on a whim. And yet, by lighting from within a scene – avoiding blasting the stage from the front – she creates a real sense of depth and reality. One morning the phone went and someone said that Jackie needed to be at the theatre by ten. She recalls: “Stevie would always call me up to get lamps for the show but stopped asking me to relight them. What I did know was … Working in a Secret Language (Paule Constable lights Carmen) Read More » Paule then made her way over to the Hackney Empire: “To this day I still don’t really know why I said yes or what I was expecting. Discover (and save!) It might come as a surprise that, during her formative years, Paule had no interest in theatre. Popular AMA APA (6th edition) APA (7th edition) Chicago (17th edition, author-date) Harvard IEEE ISO 690 MHRA (3rd edition) MLA (8th edition) OSCOLA Turabian (9th edition) Vancouver. Paule soon graduated and continued to freelance and light shows when and where she could. Paule Constable Lighting Designer. She has three shows running in the West End and is in pre-production on four more, plus a new small-scale touring production of “Les Miz.”… Constable’s father was a military man, meaning the family followed him wherever he was stationed. I picked Maths, Physics, History of Art and English – therefore it was an extremely random choice! Jun 14, 2012 - This Pin was discovered by Oliver Musical. Our Copywriter Adam sits down with Tony and Olivier Award winner Paule Constable. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. She recalls: “My passion just seemed to slowly grow with the more I saw. Last night, the winners of this year’s Olivier Awards were announced in a special programme presented by Jason Manford at the London Palladium which was broadcast on ITV as well as streamed live on Official London Theatre’s Youtube channel. 2017. I was following a very middle class path that was supposed to make everything alright, but risk wasn’t part of my life and I needed it to be.”, That’s why she plumped for Goldsmiths College afterwards, drawn to its English department by the “brilliant left-wing thinkers” on staff. Constable laughs when I recount Mitchell’s description: “I’m really bad at making it up. As a result, we moved all across the world. “Paule’s someone who really understands the stage space as a three-dimensional object,” says Mitchell. Required fields are marked *. In Wozzeck, the British lighting designer describes the style of her work as “stark, bold, and simple. “There’s absolutely a deep-rooted and, I think, unacknowledged sense of what we believe women should do and what we believe men should do – pictorially as much as anything else.” In other words, we can’t imagine women up ladders with spanners. ), She was, she says, one of the only women. Your email address will not be published. Overview News Overview. War Horse was hers, ditto Curious Incident… and His Dark Materials, and she’s won as many Olivier awards as Tom Stoppard and Alan Bennett combined. She adds: “I went away when I was 8 and remained so for all my education. I am doing a background piece on Paule Constable a British Female Lighting Designer - Art bibliographies - in Harvard style . Accessibly. Original London Lighting Design: Paule Constable; PlayDramaRevival. The latest instalment in our series showcasing Britain's best lighting designers focuses on the four-time Olivier and two-time Tony Award winner Paule Constable. For the opening scenes, Constable wanted to create the idea of a … Mitchell adores her style. She makes me laugh and she’s fun to be around, but when it comes to the seriousness of art an believing in the importance of what we do, she’s a great partner to have at your side.”, Now that is how you talk about a lighting designer…, Your email address will not be published. “The more people see people like me doing technical jobs, the more it becomes normal – and that’s what we all want isn’t it? Paule is a multi-award-winning lighting designer for theatre, dance and opera. It motors a play, she says. This production does not have a lot of scenery and the Olivier is a hugely exposing space, explains Paule Constable. Paule Constable. “Paule’s someone who really understands the stage space as a three-dimensional object,” says Mitchell. She still remained very academic yet she reached a crossroads at college. Learn about life, then learn to light it. Hers is an integrated approach, refusing to tack lighting on as an afterthought. “It something that neither of us would have done when we first met.”, “That’s the other joy of long-term collaborations,” he says. Paule comments: “Dave was a huge influence and really showed me the ins and outs of lighting as it were. I wasn’t sure what I wanted to do but I was made clear it wasn’t to be this!”. Constable laughs when I recount Mitchell’s description: “I’m … She's worked on … Lighting Two major challenges immediately seem to present themselves on the lighting front - the size of the Olivier theatre and the large obstruction caused by the screen. “What we were both interested in was a kind of honesty, a truth,” Constable explains. Beautifully. [Your design] might be completely wrong, but you won’t know until you’re in the space.”. “How do you draw something to a close and start something else? I actually just liked getting my hands on kit!”. During her degree, Paule would work part time to make ends meet like most students. So if a room’s lit by a sidelight, put that light on and see what you need. Discover (and save!) (Four – plus a Tony.). “It’s just that ultimately my response to the world is with light.”, Even if you don’t know Constable’s name, chances are you’ll know her work. Although this might sound incredibly rude, it was actually really inspiring as it made me think that I could actually work in this industry on my own designs, as opposed to imitating the work of others”. I wasn’t really used to anything else so it didn’t seem that unusual”. Image showing Paule Constable home page. The Weir (Apr 01, 1999 - Nov 28, 1999) It was also great as I lived in East London when it was still the East End. This was Goldsmiths’ heyday, when it was churning out Young British Artists by the bucketload: Damien Hirst, Sarah Lucas, Sam Taylor-Wood amongst (many) others. My older brother was an academic whereas my father was very sporty so this was something I did with him. “When people ask what you do and you say lighting designer, they either expect you to design light bulbs or fittings – or they think you climb a ladder for a living.”. Constable was signing on at the time – this being the late eighties – so when a call came in offering her flatmate a follow-spot job at the Hackney Empire, Constable turned up in her stead and “just sort of learnt on the go.” (Her advice to emerging designers, incidentally, is not to specialize too early. 31 likes. She adds: “Although theatre still didn’t really interest me, I did start to get involved at school. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. Everything about her is practical: her dark brown hair is pulled back, she carries a lightweight rucksack and arrives dressed entirely in black, though whether ready for tech or fresh from running I’m not sure. Paule has is an associative of the National Theatre, the Lyric Hammersmith and Matthew Bourne's New Adventures. Paule Constable is a British lighting designer.She won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. Rivetingly. Her preferred style is quite particular. For some (perhaps – dareIsay – trapped in the past) it was too ‘real’ and at times too dark.”, The approach came from Constable’s work with Mitchell, early on in both their careers. White Light Ltd, 20 Merton Industrial Park, Jubilee Way, Wimbledon, London, SW19 3WL, United Kingdom. your own Pins on Pinterest I love real things; real tangible objects which you heighten and transform.”. You make it really thick, beautiful, brilliant, brutal, bright light – like daylight coming into a really dark space.”. All the other officers’ kids were away at school. That said, we have only an hour before she goes into a second preview; and it’s an hour in which I intend to hear all about her fascinating journey. Jan 12, 2018 - Explore Charleigh - Theatre's board "Paule Constable" on Pinterest. We just want it normal.”, At 7:84, assisting Ben Ormerod, she met the designer Rae Smith, who remains a close collaborator a quarter century later. She comments: “My A Levels were a real eclectic mix. It was a frustrating place, she says. Paule Constable accepts the the award for Best Lighting Design in a Play for 'The Curious Incident of the Dog in the Night-Time' onstage at the 2015 Tony Awards at Radio City Music Hall on June 7,... Get premium, high resolution news photos at Getty Images I look around and everything fits her description. True, that’s partly down to the limited pool of lighting designers working at the top end of British theatre –many of whom do around 20 productions a year (and rates mean they need to) – but Constable is undoubtedly among the very best of them. Paule Constable Wins Oliver Awards’ Best Lighting Design 2020 26th October 2020 9:06 am Leave a Comment. It was also during this time that she met her partner, Ian, who worked at People Show – an immersive, experimental theatre company who Paule worked with. Paule is a multi-award winning lighting designer for theatre, dance and opera. Sat in the foyer of the National Theatre Shed, Constable is framed by the fuzzy daylight flooding in through the perspex behind her. Sustainable theatre network, Staging Change, talks to internationally recognised lighting designer, Paule Constable, about how she works on environmental sustainability in her work. — News — Royal opera House work on this show and the Olivier is a UK designer... And simple Oliver awards ’ Best lighting Design 2020 26th October 2020 9:06 Leave. The End of the National theatre ( which Paule is an integrated approach, refusing to tack on. Awareness of light, scenic Design space as a three-dimensional object, ” Constable says a. Dark space. ” I attended university in 1986 and this marked the End of the in... 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